During that writers' conference I attended in April, there was one session advertised in the brochure as an opportunity to mine one's subconscious mind for writing material using relaxation techniques and guided imagery.
That's code for "hypnosis" if I ever saw it, so naturally I signed myself right up. If there's anything I love more than looking up an old boyfriend on Facebook to see if he's bald yet, its New Age religion.
Now, in the past I've had no success getting in touch with my spiritual self. I was the person at your high school retreat who kept one eye half open and peered surreptitiously at her peers during quiet prayer. I've tried meditation, and found it nearly impossible to shut off the running commentary in my head. But I am desperate to try, and darned if I was going to miss an opportunity to mine the old spiritual quadrant, and for writing material, to boot.
The presenter, Suzette Martinez Standring, began the session by speaking very eloquently for some time about the writing process, about the kind of writing that resonates most with readers, and the importance of evoking all five senses in one's work. I took copious notes, and before I knew it, it was time to go under.
The process was familiar, one I'd tried to follow countless times before when awake with insomnia or in the throes of an airborne panic attack.
The room was darkened, and we were encouraged to breathe slowly and deeply.
To still our minds.
To get centered.
To tune in to faraway sounds.
And to relax each part of our bodies in turn.
Next, we were to imagine a cord of light extending from the bottoms of our feet down to the center of the earth. We were invited to visualize ourselves at the top of a staircase. We would take three steps down. With each step, we would journey deeper and deeper into ourselves so that when we finally reached the bottom, we would be "in trance."
I was skeptical, but earnest. When I got to the bottom of my visual staircase, I was supposed to enter a place of great beauty and serenity. It could be anything I wanted it to be, as long as I felt at peace there, and comfortable.
I didn't see much. So, I pictured myself lying face down on a patch of lush green grass in a forest clearing. I have always enjoyed lying face down in grass because - and you didn't read it here - it is just like hugging the earth. Zero degrees of separation! To me that is very profound.
Anyway, I'm lying face down on the grass and trying to conjure up the feeling of sunlight on my back. It seems as though a babbling brook should be there, so I install one, and spotty sunlight beaming through the trees, as well.
The problem is, I know I'm not really in a forest. I know I'm still in the Torch Lounge at the University of Dayton. My hyper vigilant brain has failed me again, but I keep on visualizing the heck out of that forest clearing because I am going to get hypnotized if it's the last thing I do.
After a few more minutes of this, we are told to let a memory come to us, anything at all.
I get nothing.
After a little while, though, I see a red ball with a faux weave pattern, the multi-purpose kind every kid whose ever gone to school in America knows well. And that ball brings me back to Mr. Finneyfrock's gym class on President's Physical Fitness Test Day, like this:
I am ten years old. It’s President's Physical Fitness test day at school and I am hanging from the playground chin-up bar in a test of endurance. My size 2 feet, encased in white Keds with rainbow stripe friendship pins beaded through the laces, dangle several feet above the loamy ground. The mustachioed Mr. Finneyfrock, in soccer cleats, shorts, and yellow jersey, is standing next to me with his timer. It is warm out, and a soft breeze is blowing. I’ve been up on the bar for almost four minutes now and am barely showing signs of fatigue. My classmates stand in a semi-circle around me, cheering for me and my freakish strength.
I continue to hang there, wondering how much longer I should stay. My arms are not very tired. In fact, I like the slight burn, the sense that by the strength of my thin, tanned, arms alone, peppered with the golden threads of hair I detest, I am being held aloft. When I finally lower myself down, I am an elementary school hero. "IT'S A GODDAMNED RECORD!" Mr. Finneyfrock bellows.
Granted, this was not an unfamiliar, buried memory, but it was unbidden and true. Thing was, I couldn't for the life of me figure out what it was supposed to mean. I thought about it in the context of my current situation and the soul searching I've been doing to find my calling in life, about how I hoped that calling would include writing in some form of another. (Ironically, being at a writer's conference was unearthing all the self-doubts that have always plagued me in this regard.) I decided it meant that I was strong, stronger than my outward appearance belies. And then I didn't think about it again.
But last weekend I was sitting on my couch, staring at the wall and picking my cuticles. The kids were asleep upstairs, and my husband was down in the wine cellar, updating his inventory. I was considering making myself a cup of bedtime tea and taking a stab at some prophetic dreams, when suddenly it hit me.
Hang in there.
I'm supposed to just hang in there, it's as plain as the nose on my face, as obvious as the chin-up bar in my waking dream.
And . . . as cliché as a Hallmark card. Apparently, my subconscious mind has been drinking Riunite and watching Lifetime TV.
(But something is going to happen.)
I know it.
Showing posts with label writing. Show all posts
Showing posts with label writing. Show all posts
Monday, May 03, 2010
Wednesday, April 21, 2010
Yoomur
You don't often think of a humor writers' conference as the place for somber introspection. I had a fabulous time swinging from the chandeliers with a great group of fun loving and talented people at the Erma Bombeck Writers' Workshop last weekend, but in fact I left with a few tough bones to chew.
I learned from author Wade Rouse that really good writing - and especially the humorous kind - is often borne of heartache and comes from a place of deep vulnerability. (A place where I rarely venture.)
I learned that if you are writing something for entertainment value alone, it better be devastatingly funny. Better to write well and have a deeper message so if the humor bombs, at least the piece will not. (Ooof!)
And I was reminded that an essential element of success is daily discipline. You have to write often and copiously to hone your craft and get better and better at it. There is no such thing as writers' block. You just sit down and write, even if that means getting up at five o' clock and staring at the wall.
Finally, I witnessed firsthand how people who come to conferences prepared with business cards and armed with 30 second pitches, as well as those who network confidently with everyone they meet instead of, for example, donning a cloak of invisibility and going to bed early, end up hobnobbing with published writers. (Note to self: next time, bring business cards, stay up late, wear Louboutins.)
But don't get me wrong. I had a great time and met a lot of fabulous people, like the brilliant and multi-talented KC, Choonkooloonks, Wendi Aarons, Smacksy, and Jennifer from These Are the Days, just to name a few.
I heard New York Times columnist Gail Collins rock the house with her keynote speech, listened to hilarious USA Today columnist Craig Wilson read his work, and watched live stand-up comedy expertly executed by Late Show writer Bill Scheft.
I had the chance to stand up in front of a full auditorium and read a piece I'd written.
I was hypnotized and learned how to apply guided imagery techniques in my writing.
I was mistaken for a girl scout while earnestly trying to network one day at lunch. That was a total bummer.
I got carded at a college bar with Classy Chaos. That was fun!
And . . . one more thing. My nagging suspicion that this blog I started almost three years ago as a creative outlet and a way to pass the time while the kids napped doesn't feel quite right anymore was confirmed.
Since I had no business cards with me, I said "RimaRama" out loud a lot. And it sounded kind of stupid. I also spent about ten minutes trying to explain to one person what the suffix "rama" means. And here I always thought it was pretty self-explanatory. (She also wondered why I was wearing a crown in my header and I was like, "because this blog is my alter ego and my alter ego wears a crown." And she was like . . . "Hmmmmm." Then I thanked her and ran away.)
So I'm thinking - just thinking - about killing RimaRama off and starting anew.
But I'm not going anywhere just yet. I will keep you posted!
I learned from author Wade Rouse that really good writing - and especially the humorous kind - is often borne of heartache and comes from a place of deep vulnerability. (A place where I rarely venture.)
I learned that if you are writing something for entertainment value alone, it better be devastatingly funny. Better to write well and have a deeper message so if the humor bombs, at least the piece will not. (Ooof!)
And I was reminded that an essential element of success is daily discipline. You have to write often and copiously to hone your craft and get better and better at it. There is no such thing as writers' block. You just sit down and write, even if that means getting up at five o' clock and staring at the wall.
Finally, I witnessed firsthand how people who come to conferences prepared with business cards and armed with 30 second pitches, as well as those who network confidently with everyone they meet instead of, for example, donning a cloak of invisibility and going to bed early, end up hobnobbing with published writers. (Note to self: next time, bring business cards, stay up late, wear Louboutins.)
But don't get me wrong. I had a great time and met a lot of fabulous people, like the brilliant and multi-talented KC, Choonkooloonks, Wendi Aarons, Smacksy, and Jennifer from These Are the Days, just to name a few.
I heard New York Times columnist Gail Collins rock the house with her keynote speech, listened to hilarious USA Today columnist Craig Wilson read his work, and watched live stand-up comedy expertly executed by Late Show writer Bill Scheft.
I had the chance to stand up in front of a full auditorium and read a piece I'd written.
I was hypnotized and learned how to apply guided imagery techniques in my writing.
I was mistaken for a girl scout while earnestly trying to network one day at lunch. That was a total bummer.
I got carded at a college bar with Classy Chaos. That was fun!
And . . . one more thing. My nagging suspicion that this blog I started almost three years ago as a creative outlet and a way to pass the time while the kids napped doesn't feel quite right anymore was confirmed.
Since I had no business cards with me, I said "RimaRama" out loud a lot. And it sounded kind of stupid. I also spent about ten minutes trying to explain to one person what the suffix "rama" means. And here I always thought it was pretty self-explanatory. (She also wondered why I was wearing a crown in my header and I was like, "because this blog is my alter ego and my alter ego wears a crown." And she was like . . . "Hmmmmm." Then I thanked her and ran away.)
So I'm thinking - just thinking - about killing RimaRama off and starting anew.
But I'm not going anywhere just yet. I will keep you posted!
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